Researcher, curator, artist and professor at the Open University of Catalonia, she was an associate professor at Central Saint Martins (London University of the Arts). Doctor in Fine Arts from the Complutense University of Madrid. His research interests are coloniality, curatorship, museology, modernity and its inventions of otherness, untranslatability and art in Latin America, with special attention to Brazilian art. Íñigo was co-founder of the independent research group Peninsula, colonial processes and artistic and curatorial practices, in collaboration with the Museo Nacional Centro de Arte Reina Sofía. He has been a visiting researcher at the Afterall Research Center (2016-17), of the AHRC project Meeting Margins: Transnational Art in Europe & Latin America 1950-1978 (University of Essex and University of the Arts London), and a Postdoctoral Scholarship at the University of São Paulo (FAPESP). He has written extensively for publications such as e-flux, Afterall, Versión/sur, Revista de Occident, Lugar Común, Stedelijk Museum Journal, São Paulo Art Museum, Frans Hals Museum/De Hallen Haarlem, Valiz, L'international European Frame project , and the Reina Sofía Museum, among others. Íñigo has been the editor-in-chief of issue 7 (2017) of the bilingual magazine Re-visiones entitled: Is it possible to decolonize? The South as an interlocution, and the magazine Art in Translation, published by the University of Edinburgh (Taylor & Francis/Routledge-Getty Foundation), on Spanish visual culture, postcolonialism and art during the Franco regime. In recent years she has presented her work at conferences as a guest speaker at Whitechapel Gallery (London), Nottingham Contemporary, MACBA (Barcelona), Museo Reina Sofía (Madrid), Glossary of Common Knowledge in the L'International European Framework project, DAAd Gallery ( Berlin), Frame Contemporary Art Finland (Helsinki), Dutch Art Institute (Arnhem), Bauhaus Imaginista project (Rabat), e-flux lecture series, MA in curating at the School of Visual Arts and ICI (New York), University Brown (Providence, USA) and Princeton University (USA), etc. He has curated exhibitions such as Tradition-Translation in Rabat (2013), at the Jaqueline Martins Gallery (2013) in São Paulo (with works from the 1960s and 1970s by Bill Lundberg, Anna Bella Geiger and Leticia Parente), and in São Paulo at the Simões de Assis Gallery on the production of Niobe Xandó in the 1960s and 1970s (2019). He was a Didactic Guide at MediaLab Madrid.
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