Marina Nunez

(Palencia, 1966)

In his works he represents different, aberrant, monstrous beings, those that exist outside or against the canon. The anomalous bodies that populate his paintings, images or videos speak to us of a metamorphic, hybrid, multiple identity. It recreates a destabilized and impure subjectivity for which otherness is not something alien, but basically constitutes the human being. He has exhibited individually in public centers such as Espacio Uno of the Reina Sofía (1997, Madrid), La Gallera (1998, Valencia) , Pilar and Joan Miró Foundation (2000, Palma de Mallorca), Verónicas Church (2001, Murcia), DA2 (2002, Salamanca), Casa de América (2004, Madrid), Instituto Cervantes (2006, Paris), La Panera ( 2008, Lleida), Musac (2009, León), Center del Carme (2010, Valencia), Sala Rekalde (2011, Bilbao), Patio Herreriano (2012, Valladolid), Sala Alcalá 31 (2015, Madrid), Artium (2016, Vitoria), Cortes de Castilla y León (2016, Valladolid), Madraza Palace (2016, Granada), Es Baluard (2017, Palma de Mallorca), Barjola Museum Chapel (2017, Gijón), Puertas de Castilla Center (2019 , Murcia), TEA (2019, Tenerife), Sala Atín Aya (2019, Seville), Sala Kubo Kutxa (2021, San Sebastián), or Museo Nacional Thyssen-Bornemisza (2021, Madrid).

Regarding group exhibitions, we can highlight «Transgenéric@s» (1998, Koldo Mitxelena Kulturnea, San Sebastián), “Reality and Desire” (1999, Fundación Miró, Barcelona), “Zona F” (2000, Espai d´Art Contemporani de Castelló), “I International Art Biennial” (2000, National Museum of Fine Arts, Buenos Aires), “Ofelias and Ulysses. Around contemporary Spanish art” (2001, Antichi Granai della Giudecca, Venice), “Big Sur. Neue Spanische Kunst” (2002, Hamburger Banhof, Berlin), “Pain; passion, compassion, sensibility” (2004, Science Museum, London), “Posthumous choreographies” (2005, White Box, New York)