(Haifa, Israel, 1962)
Artist. Since 1992 he has worked together with Markus Muntean under the name Muntean/Rosenblum. The analytical nature of his work, which forms a system of complex structures that allows different readings and simultaneous points of view, seems entirely appropriate to a form of dialogue or team work. Today, Muntean/Rosenblum are well known internationally for work of a conceptual nature that mixes references to art history with others to popular culture. And they do it in an attractive way, since they are never didactic, adding more personal themes or issues. Transferring codes from the past to the present day, or debating the widespread use of images of different natures, they reflect on both the power of images and their vulnerability, suggesting that they are supported by ideologies that are not always visible, and even subconscious; that can be easily manipulated; or that are currently used by many people who are not artists to express themselves or communicate, creating stories of a filmic nature that are generally vain and for immediate consumption.
He participated in MediaLab Madrid in “Digital Culture” with “Untitled (Not to be, not to be at all), 2003”.
