{"id":12357,"date":"2024-03-04T20:21:37","date_gmt":"2024-03-04T19:21:37","guid":{"rendered":"https:\/\/archivomedialabmadrid.org\/persona\/jean-fisher\/"},"modified":"2024-04-30T11:29:15","modified_gmt":"2024-04-30T09:29:15","slug":"jean-fisher","status":"publish","type":"persona_type","link":"https:\/\/archivomedialabmadrid.org\/en\/persona\/jean-fisher\/","title":{"rendered":"Jean Fisher"},"content":{"rendered":"<p><span style=\"\" >(Aldeburgh, United Kingdom, 1942-London, United Kingdom 2016)<\/p>\n<p>Art critic, university professor and writer, she studied zoology and plastic arts. He studied Zoology and Plastic Arts. He adopted a cross-cultural perspective in his research, addressing the interconnectedness of colonialist legacy and American culture, and especially the clash of Irish culture, North American Native Indian culture, and African American culture. He understood art as a social practice, both in terms of content and in its relationship with the participating viewer. She was a curator of contemporary art, focusing her interest on the work of Cherokee artist Jimmie Durham. She was research director on the postgraduate program \u201cCurating Contemporary Art\u201d at the Royal College of Art and lecturer in Fine Arts and Transcultural Studies at Middlesex University. He taught at the State University of New York School of Visual Arts at Old Westbury and the Whitney Independent Study Program. From 1992 to 1999 Fisher was editor of Third Text magazine. His most notable publications are Global Visions: Towards a New Internationalism in the Visual Arts (1994), Reverberations: Tactics of Resistance, Forms of Agency (2000), Vampire in the Text. He wrote about and contributed to the work of numerous artists, including Francis Al\u00ffs, Black Audio Film Collective, Sonia Boyce, James Coleman, Lili Dujourie, Willie Doherty, Jimmie Durham, Edgar Heap of Birds, Susan Hiller, Tina Keane and Gabriel Orozco. essays in the catalogs of the Venice Biennale (1997), the Johannesburg Biennale (1997), Inside the Visible (1998), Carnegie International (1999), Documenta 11 (2002), Sharjah Biennale (2005) or the Sydney Biennale : All Our Relationships (2012)<\/p>\n<p><\/span><\/p>","protected":false},"author":2,"featured_media":30099,"menu_order":0,"template":"","meta":{"_acf_changed":false,"footnotes":""},"persona_cat":[14],"class_list":["post-12357","persona_type","type-persona_type","status-publish","has-post-thumbnail","hentry","persona_cat-autores-as"],"acf":{"web":"https:\/\/www.jeanfisher.com\/","organizacion":""},"_links":{"self":[{"href":"https:\/\/archivomedialabmadrid.org\/en\/wp-json\/wp\/v2\/persona_type\/12357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archivomedialabmadrid.org\/en\/wp-json\/wp\/v2\/persona_type"}],"about":[{"href":"https:\/\/archivomedialabmadrid.org\/en\/wp-json\/wp\/v2\/types\/persona_type"}],"author":[{"embeddable":true,"href":"https:\/\/archivomedialabmadrid.org\/en\/wp-json\/wp\/v2\/users\/2"}],"version-history":[{"count":1,"href":"https:\/\/archivomedialabmadrid.org\/en\/wp-json\/wp\/v2\/persona_type\/12357\/revisions"}],"predecessor-version":[{"id":14456,"href":"https:\/\/archivomedialabmadrid.org\/en\/wp-json\/wp\/v2\/persona_type\/12357\/revisions\/14456"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archivomedialabmadrid.org\/en\/wp-json\/wp\/v2\/media\/30099"}],"wp:attachment":[{"href":"https:\/\/archivomedialabmadrid.org\/en\/wp-json\/wp\/v2\/media?parent=12357"}],"wp:term":[{"taxonomy":"persona_cat","embeddable":true,"href":"https:\/\/archivomedialabmadrid.org\/en\/wp-json\/wp\/v2\/persona_cat?post=12357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}